Jump to: Concert Works / Graphic Scores & Visual Art / Language-Based Works / Text Scores / Interdisciplinary Collaborations
CONCERT WORKS
top / graphic scores / language-based works / text scores / collaborations
|
Precis to Erasures and Additions (2014)
|
variable ensemble
|
10'
|
|
Erasures and Additions (2013-2014)
for Kristen Smiarowski's The Key Game Project: Sleep, Staring, Well |
variable ensemble
|
36'
|
|
Projections on Elevation Tunes (2012)
colored ink on transparencies |
for any two instruments, director, audience, and pre-recorded audio
|
10'-20'
|
|
Credo (2012)
for the People's Microphony Camerata |
several voices
|
10'
|
|
Template Piece (2011)
|
variable ensemble
|
variable
|
|
Thread (2011)
a meditation |
variable (homemade) zither
|
variable
|
|
Drift (2010)
|
2 five-valved F tubas
|
variable
|
|
Systema II (2010)
|
2 violins
|
3'
|
|
Arbitrary Object, no. 2 (2010)
|
2 accordions
|
2'
|
|
Arbitrary Object, no. 1 (2010)
|
2 B-flat clarinets
|
2'30"
|
|
Lines (2010)
|
2 violins, 2 violas
|
variable
|
|
Inventions on German Communist Sources:
Marsch der Sowjetjugend (2010) |
2 violins, 2 violas
|
2'30"
|
|
Inventions on German Communist Sources:
Lied des alten Kommunisten F (2009) |
2 trombones, horn, tuba
|
1'
|
|
Inventions on German Communist Sources:
Frage und Antwort und Frage (2009) |
2 violins, 2 violas
|
3'
|
|
Inventions on German Communist Sources:
Drei Worte an die Partei (2009) |
2 trombones, horn, tuba
|
2'
|
|
After "Ohio Impromptu" (2009)
(Cloister Walk, No. 3) for ,,duo |
2 tenor-bass trombones
|
18'
|
|
Sprechstimmung (2009)
for Simone Forti & Terrence Luke Johnson |
2-5 non-fluent speakers
|
variable
|
|
Propaedeutic for Microtonal Performance
on Horn in F (2009) |
horn solo
|
6'
|
|
Valet will ich dir geben (2008)
|
violin, trombone
|
6'
|
|
Systema (Cognitive Disjunction, proper) (2008)
|
violin, viola, cello
|
5'
|
|
Systema (with Linear Distortion) (2008)
|
violin, viola, cello
|
10'
|
|
Cloister Walk, No. 2: Realization February 2008 (2008)
|
4 tenor-bass trombones
|
10'
|
|
Cognitive Congruence (2007, orch. 2013)
|
violin, viola, cello
|
25'
|
|
Logos prior Logos, No. 4 (2005, rev. 2007)
|
variable ensemble
|
variable
|
|
Cognitive Disjunction (2005)
|
violin, viola, cello
|
30'/45'
|
|
Logos prior Logos, No. 3 (2005)
|
flute, english horn, clarinet, horn, bassoon
|
70'
|
|
Amphiboly, Three Realizations (2005)
for Chelsea Green
|
guitar duo
|
13'30"
|
|
Limburger Skunk (2004)
for Jonathan Piper |
2 alto saxophones, 2 tenor saxophones, trumpet, 2 trombones, tuba, percussion
|
12'
|
|
Edit (2004)
for Don Nichols |
speaking voice and mixing console
|
15'
|
|
Invention in Three Parts (2004)
projections of colored ink on paper |
1-3 toy pianos with optional cello and
mixing console |
variable
|
|
Insomnambulations: Preachin' Aphasia (2003)
|
trombone/voice solo
|
10'
|
|
Incarceration (2002)
|
guitar solo
|
10'
|
|
brief sketch (2002)
|
2 cellos
|
6'
|
|
A Winter's Walk in the Cloisters (2002)
(Cloister Walk, No. 2) |
2 trombones
|
variable
|
GRAPHIC SCORES & VISUAL ART
top /concert works / language-based works / text pieces / collaborations
|
On the Ethical Status of Fictional & Historical Persons (2014)
mixed media on canvas; texts by Douglas C. Wadle |
N/A
|
N/A
|
|
Towards a Definition of Cultural Memory (2013)
mixed media on canvas; texts by Douglas C. Wadle |
N/A
|
N/A
|
|
On the Obligation to Remember (2013)
mixed media on canvas; texts by Douglas C. Wadle and Bradley Wadle |
N/A
|
N/A
|
|
On the Prospects of a Perfect History (2012)
mixed media on canvas; texts by Douglas C. Wadle, with a short passage from Jorge Luis Borges |
N/A
|
N/A
|
|
Projections on Elevation Tunes (2012)
colored ink on transparencies |
for any two instruments, director, audience, and pre-recorded sound
|
10'-20'
|
|
Drift (2010)
|
2 five-valved F tubas
|
variable
|
|
Cloister Walk, No. 2 (2007)
ink and graphite on paper |
ur-score for creation of performance installations for trombone quartet
|
N/A
|
|
Logos prior Logos, No. 4 (2005, rev. 2007)
ink on transparencies, colored ink on paper |
variable ensemble
|
variable
|
|
Logos prior Logos (2005)
oil on canvas, score for performance |
ur-score for creation of individual realizations
|
N/A
|
|
Amphiboly (2004)
acrylic on canvas, variable duration |
ur-score for creation of individual realizations
|
N/A
|
|
Invention in Three Parts (2004)
projections of colored ink on paper |
toy piano with optional cello and mixing console
|
variable
|
LANGUAGE-BASED WORKS
top / concert works/graphic scores/text pieces/collaborations
|
Reconstruction Dances (2014)
for Kristen Smiarowski's the Key Game Project: Sleep, Staring, Well |
Hörspiel
|
7'
|
|
Of Histories and Fictions (2014)
for Kristen Smiarowski's the Key Game Project: Sleep, Staring, Well |
Hörspiel
|
8'30"
|
|
In Advance of the Archive (2013)
for Kristen Smiarowski's the Key Game Project: Sleep, Staring, Well |
Hörspiel
|
8'
|
|
On the Ethical Status of Fictional & Historical Persons (2014)
mixed media on canvas; texts by Douglas C. Wadle |
N/A
|
N/A
|
|
Towards a Definition of Cultural Memory (2013)
mixed media on canvas; texts by Douglas C. Wadle |
N/A
|
N/A
|
|
On the Obligation to Remember (2013)
mixed media on canvas; texts by Douglas C. Wadle and Bradley Wadle |
N/A
|
N/A
|
|
On the Prospects of a Perfect History (2012)
mixed media on canvas; texts by Douglas C. Wadle, with a short passage from Jorge Luis Borges |
N/A
|
N/A
|
|
Shroud (2013)
for Kristen Smiarowski's the Key Game Project: Sleep, Staring, Well |
3 speakers, video monitors, and audio playback
|
22'
|
|
Credo (2012)
for the People's Microphony Camerata |
several voices
|
variable
|
|
Nostalgia Digest (2011)
|
Hörspiel
|
12'
|
|
Pedantic Poetry
|
writer
|
N/A
|
|
Resection (2011)
|
speaking voice/trombone (solo) or
speaking voice and trombone (duet) |
variable
|
|
Triptych (2010)
language study on a poem by Simone Forti |
2 voices and video projection
|
variable
|
|
Celan Song (2009)
|
2 speakers
|
variable
|
|
Sprechstimmung (2009)
|
2-5 non-fluent speakers
|
variable
|
|
Logos prior Logos, No. 6 (2007)
|
speaking voice
|
8'
|
|
Edit (2004)
for Don Nichols |
speaking voice and mixing console
|
15'
|
|
Insomnambulations: Preachin' Aphasia (2003)
|
trombone/voice solo
|
10'
|
TEXT PIECES (Instruction Scores)
top / concert works / graphic scores / language-based works / collaborations
|
Shroud (2013)
|
3 speakers, video monitors, and audio playback
|
22'
|
|
A Principled Reaction to X (2013)
|
any medium, with noises
|
variable
|
|
Pedantic Poetry (2011)
|
writer
|
N/A
|
|
Template Piece (2011)
|
variable ensemble
|
variable
|
|
Thread (2011)
a meditation |
variable (homemade) zither
|
variable
|
|
Systema (Cognitive Disjunction, Proper) (2008)
|
violin, viola, cello
|
5'
|
|
Systema (with Linear Distortion) (2008)
|
violin, viola, cello
|
10'
|
|
Logos prior Logos, No. 5 (2006)
on the ethical obligations of the individual in society |
audience
|
variable
|
|
Echo Narcissus (2006)
|
reader
|
variable
|
|
Solipsistic Self-Serenade (2004)
a meditation for Jacky and Jonathan |
N/A
|
variable
|
INTERDISCIPLINARY COLLABORATIONS
top / concert works / graphic scores / language-based works / text pieces
|
Sleep, Staring, Well (2013-2014)
original music, Hörspiele, and theater piece for multimedia performance work directed by Kristen Smiarowski (Phase 3 of The Key Game Project) |
clarinet, trombone, accordion, cello, 3 speakers, video monitors, audio playback
|
60'
|
|
Conversation Piece (2010)
interdisciplinary theatrical collaboration by The Unbuttoned Sleeves; Simone Forti, dir.; Kristen Smiarowski, dramaturg |
text, trombone, movement
|
60'
|
|
Bricklayers with a Sense of Humor (2009-2010)
soundscore for dance/theater work by Arianne Hoffman |
2 violins, 2 violas, horn, 2 trombones, tuba, piano, 4 portable monophonic audio cassette players
|
75'
|
|
To Borrow Salt (2009)
interdisciplinary theatrical collaboration by The Unbuttoned Sleeves; Simone Forti, dir.; Kristen Smiarowski, dramaturg |
text, voice, trombone, movement
|
70'
|
|
Indexical Permutations (after the Key Game) (2009)
soundscore for dance choreographed by Kristen Smiarowski (Phase 2 of The Key Game Project) |
electroacoustic
|
15'
|
|
The Key Game (2008)
soundscore for dance/theater work choreographed by Kristen Smiarowski (Phase 1 of The Key Game Project) |
electroacoustic
|
22'
|
|
Turtles All the Way Down (2007)interdisciplinary theatrical collaboration by The Unbuttoned Sleeves; Simone Forti, dir.
|
trombone, voice, text, small sounds, movement
|
100'
|
|
The Bacchae (2006)
text: Euripides, trans. C. K. Williams directed by Mira Kingsley |
female chorus, amplified mandolin
|
150'
|
|
101 (2006)interdisciplinary theatrical collaboration by The Unbuttoned Sleeves; Simone Forti, dir.
|
trombone, voice, text, small sounds, movement
|
100'
|
|
Unbuttoned Sleeves (2005)interdisciplinary theatrical collaboration by The Unbuttoned Sleeves; Simone Forti, dir.
|
trombone, voice, vinyl hose
|
45'
|
|
Fasteners (2004)
music for experimental dance video by Marianne M. Kim |
toy piano, cello, electroacoustic
|
18'
|
|
Duet a Trio (2003)
performance piece for dancer and trombonist created with Kristen Smiarowski, choreographer |
trombone, voices, movement
|
15'
|
|
Wall (2003)
accompaniment for site-specific dance choreographed by Kristen Smiarowski |
accordion, viola, cello
|
20'
|
